There’s a fine line that separates the writers whose works win a place in the literary canon and the many others whose don’t, and it’s a line drawn by chance, not by the critical evaluation of any judge or jury. The difference rarely has anything to do with literary merit. Sadly, talent often matters less than connections, opportunities, good fortune, or unlucky accidents. But to discover this truth, one must look beyond literature’s well-traveled paths and discover the riches to be found in the vast landscape of forgotten books.
role in this process—indeed, it’s revolutionized our ability to discover works that have been forgotten. Let me illustrate by contrasting two books I’m currently working to bring back to print.
The first is a 1939 novel by Gertrude Trevelyan called special database by Appointment. I learned of Trevelyan in 2018 when I read her first novel, Appius and Virginia. At the time, there were at least a dozen used copies of the book available for sale online. Within a week or so of looking for the book and at the cost of under $20, I was able to have a copy in hand. I found the book so striking in style and substance that I sought out the rest of Trevelyan’s oeuvre, eight novels in total. Although most were extremely scarce and expensive, I was able to purchase them. There were no copies, though, of her last novel, Trance by Appointment. In fact, the only copies in existence were those in the four registry libraries supporting British copyright law of the time. I was only able to read the book by traveling to London, getting a reader’s card from the British Library, and sitting with the library’s sole copy at a table in the Rare Books room. From the condition of that copy, it was apparent that no one had ever opened it since it was added to the collection. Obtaining a copy of the book for the purpose of reissuing it was even more problematic.
The Internet Archive plays an essential
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